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Maison Maps — Interiors

Living Room Wall Decor

The wall everyone sits opposite. Give it something worth looking at.

Six illustrated Taiwan food posters arranged as a gallery wall above an oak lowboard in a warm living room

Art you can sit with for years, not decoration you stop seeing.

A living room wall is looked at for hours at a time, from a fixed seat, in changing light. That is a harder brief than the kitchen: whatever hangs there has to be interesting on the fifth evening, not just the first.

Illustrated food posters do that quietly. Read from the sofa they are colour and composition; read from a metre away they are a whole country's table, dish by dish.

01The anchor

Hang it with the furniture, not the ceiling

Almost every living room in the world hangs art too high. Anything above a sideboard, credenza or sofa belongs to that piece of furniture: leave 15–25 cm between the top of it and the bottom of the frame, and the two read as one composition.

Width matters just as much. Aim for roughly two-thirds of the furniture beneath — wider looks accidental, narrower looks lost.

Framed Belgium illustrated food poster above a fluted oak sideboard in afternoon light
Belgium

02Six arrangements

Six living rooms, six ways to fill a wall

Illustrated Belgium food poster hung above an oak lowboard beside a linen sofa
Belgium

01

One print above the lowboard

The simplest arrangement in the room. A single larger piece centred on the furniture, nothing beside it, plenty of wall left breathing around the frame.

Belgian wall art

Illustrated Netherlands food poster hung alongside abstract artwork above a record cabinet
The Netherlands

02

Mixed with the art you own

Food prints sit happily next to abstracts and photography. Keep the frames consistent and let the subjects disagree — that contrast is what stops a wall looking bought in one go.

Dutch wall art

Gallery wall of illustrated food posters in dark frames in a warm living room
Kazakhstan

03

A collected gallery wall

Two to five countries, hung tight, is the arrangement that grows best over years. Start centred and work outwards; a hand's width between frames reads as one piece.

Kazakh wall art

Black framed Vietnam illustrated food poster above a walnut credenza with a cream cushion
Vietnam

04

Black frames on walnut

Mid-century wood and a black-ground print are made for each other. The frame picks up the darkest line in the timber and the illustration supplies the only colour on the wall.

Food posters

Two illustrated Belgium food posters leaning on a sideboard beside an orange upholstered stool
Belgium

05

Leaning instead of hanging

Two frames overlapped on a sideboard, one slightly in front of the other. No holes, no measuring, and the arrangement can change on a Sunday afternoon.

Three black framed illustrated food posters hung in a row above a record cabinet
Hong Kong

06

A row of three

Above a long cabinet, three prints in identical frames at equal spacing. The most reliably elegant composition there is, and the easiest to get right with a tape measure.

Hong Kong wall art

03Light

Check the wall after dark

Living rooms are used most in the evening, under lamps rather than daylight, and that changes everything: glazed frames pick up reflections, warm bulbs deepen reds and flatten cool greys.

Look at the wall at night before committing. A print that felt too dark at noon often turns out to be the one that carries the room at eight o'clock.

Illustrated food poster in a quiet living room corner beside a table lamp
The Netherlands
Two illustrated food posters leaning on a record cabinet in a living room lit by lamps in the evening
Malaysia & Singapore
Illustrated South Africa food poster above a white lowboard with a record player
South Africa

04Before the hammer

Plan it on the floor first

Lay every frame out on the rug in front of the wall and move them around until the arrangement stops changing. Photograph it, then transfer the layout with paper templates and low-tack tape.

Live with the paper for a day. It costs nothing, and it is the difference between a wall you hang once and a wall full of filler.

Six illustrated Taiwan food posters laid out on a rug to plan a living room gallery wall
Taiwan
Three illustrated Maison Maps cushions arranged on a linen sofa in a warm living room
Cushions — the studio collection

05Softening the room

Let the textiles answer the wall

One cushion picking up a colour from the print is enough to tie a wall into the seating. Two or three from the same collection turn a single framed poster into a scheme.

It is also the least permanent way to introduce a country into a living room — and the easiest thing to move when the art does.

Illustrated Vietnam food poster leaning beside a matching cushion on a woven rug
Vietnam

Questions

Frequently asked

How high should art hang above a sofa?
Leave 15–25 cm between the top of the sofa back and the bottom of the frame, and keep the piece to about two-thirds of the sofa's width. Centre on the sofa rather than on the wall.
What size art works above a sideboard?
Roughly two-thirds the width of the sideboard, hung 15–25 cm above it so the two read as one composition rather than two separate objects.
How many prints should a living room gallery wall have?
Two to five is comfortable on one wall. Keep the frames consistent, the gaps to about a hand's width, and add a country a year rather than filling the wall at once.
Can food posters work outside the kitchen?
Yes — illustrated food posters read as colour and composition from the sofa and as a whole country's table up close, which is exactly what a living room wall needs.

Keep reading

Where to go next

Ready when you are

Every print in this guide is illustrated in the studio.

Food posters, cushions and textiles from more than a hundred countries — chosen one place at a time.